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Fall 2025 Victoria Beckham: She’s Her Own Muse

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Victoria Beckham still causes a frenzy with what she’s wearing. Case in point: Tuesday night, fashion watchers went wild when she rewore her brand’s sleek high-shine black jersey dress with circle-gather detail on the front, after wearing it to a state dinner in December at Buckingham Palace. The dress, by the way, is still available to purchase on her website for about $1,200, and she’ll probably move a few of them now. Which goes to show that when it comes to her label, she is her own muse, as seen in her fall 2025 collection presented Friday night during Paris Fashion Week. “I’m always looking at myself and my personal relationship with clothes, and making a garment really flatter,” she said during a preview, marveling over how said high-shine jersey dress is really quite simple save for that small detail creating an amazing silhouette. You May Also Like Indeed, it’s va-va-voom event dresses like that one, alongside tailoring and black-tie separates, that have emerged as the codes of her brand, which continues to expand its accessories and beauty offerings and to notch financial gains. On the runway, the fall collection had highs and lows in its exploration of masculine-meets-feminine dressing, which Beckham said she wanted to keep quite grounded. Women’s fashion has been on a bit of a men’s power suit trip of late, with bold shoulders, blazers, pinstripes and neckties seen on the runways of Saint Laurent, Stella McCartney and Tom Ford, among others. Beckham got into that groove, too, but with a more subtle approach, as seen on dropped lapel jackets and seam-front stirrup pants suiting, as well as her latest cool concept trouser, with wire detail making them stand away from the hips, and leather suspender belt to minimize the midriff above. Collection Gallery 43 Photos View Gallery She does like to design styling tricks into the clothes, so there was also a pant with a heeled shoe built in to give the illusion of a longer leg under a good-looking green statement trench. And oversize Oxford shoes had built-in heel grips to fit a a smaller foot, though the “borrowed from the boys” touch had more of a clownish effect. Scrolled-up hems on minidresses, blazers and coats were also a bit strange; the rolled shapes were better as sweater collars, or as a small detail on the back of a crisp sleeveless tuxedo shirt. A bit of boudoir inspiration swept into the masculine-feminine dialogue, on crisp cotton rompers and soft union suits, pretty silk dressing gowns, and pastel draped georgette dresses with intriguing sculptural wire-edged cutouts at the waist inspired by the works of artist Lucio Fontana, which Beckham collects. Beckham also winked at the beauty tutorials she does online in her own boudoir, wearing a robe and towel turban, by showing a VB monogrammed terry cloth pussy bow top tucked into black pants. It was a welcome bit of humor in a collection that took itself very seriously. If there’s one thing the brand does seem to miss about its muse, it’s that she’s in on the joke. There could be more of that on the runway.

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